MUSIC

acousmatic

mixed

Mutation (as the mark that noise leaves upon presence) | 2018-19
-trumpet, percussion, piano, & electronics-
for SPLICE Ensemble

Performances:
2/25/2020 – Academia de Música Contemporánea Fam, UNAM, Mexico City (SPLICE Ensemble)
6/27/2019 – SPLICE Institute, Western Michigan University
6/18/2019 – NYCEMF/ICMC (SPLICE Ensemble)
11/10/2018 – SPLICE Festival II, Bowling Green State University

Sinews | 2016
-percussion & electronics-
for Adam Vidiksis

Performances:
7/2/2016 – SPLICE Institute, Western Michigan University

Robert Seaback · Sinews (2016) – percussion + electronics

seed. signal. | 2012
-piano & electronics-
for Keith Kirchoff

Performances (select):
11/12/2018 – The Music Mansion, Providence, RI (Keith Kirchoff)
3/23/2015 – New Sounds Festival, Western Michigan University (Kari Johnson)
10/25/2013 – Electronic Music Midwest, Kansas City Community College (Kari Johnson)
8/12/2013 – ICMC, Perth, AU (Michael Kieran Harvey) | review
2013-15 – Kieth Kirchoff’s Electroacoustic Piano (EAPiano) Tour

fragments/frames | 2011
-tenor saxophone & electronics-
commissioned by ASCAP/SEAMUS

Performances:
4/16/2016 – University of Georgia (Addison Mason)
2/9/2012 – SEAMUS, Laurence University (Drew Ceccato)

installation

plis de temps | 2018

10′ audio loop
4 loudspeakers

feature in artdaily

collaborations

Robert Seaback: live electronics
Ingar Zach: percussion & electronics
_{Duo Impro (excerpt)}
_{Norwegian Academy of Music
November 4, 2022}

Marika Schultze: mezzo-soprano
Robert Seaback: live electronics
_{Duo Impro (excerpt)}
_{Norwegian Academy of Music
October 2, 2021}