Seaback, Robert. “Practical and Poetic Spaces in Still Life.” Sounding Future (October 30, 2024). https://www.soundingfuture.com/en/article/practical-and-poetic-spaces-still-life
Seaback, Robert. “Embodied/Encoded: A Study of Presence in Digital Music.” Research Catalogue (2024). https://doi.org/10.22501/nmh-ar.1397388.
Reflection component of my Artistic Research Project toward the Ph.D. in Artistic Research from the Norwegian Academy of Music. The project explores the concept of presence from the vantage points of extended reality and embodied cognition, and through creative practices of recording, coding, audio production, and electroacoustic music composition. Read more about The Research Catalogue here.
Seaback Robert. “Anacoustic Modes of Sound Construction: Toward a Practice”. Zenodo (2021). https://doi.org/10.5281/zenodo.5781374.
Proceedings from the 2021 Electroacoustic Music Studies Conference.
Seaback, Robert. “Anacoustic Modes of Sound Construction and the Semiotics of Virtuality.” Organised Sound 25, No. 1 (2020): 4–14. https://doi.org/10.1017/S1355771819000414.
Article-length version of dissertation research on sound synthesis and posthumanism.
Read my dissertation.
ROBERT SEABACK 